Part of the exhibition “TIME, SPACE, COLOR,” Kronschlaeger’s “Celosias”are an invitation to slow down and contemplate. They seduce and position the spectator in a passive role, while at the same time inciting them to actively walk through the experience of transparency and color set to a human scale. The play of tones and the raw material favored by the artist repeat themselvesin this body of work. According to the spectator’s position, they transform shape through light and color. In this way, the artwork must be walked through and experienced in its different projections. 

 The modular architecture of “Celosias” is a system composed of separate elements that can be connected through shape and color relationships. The beauty of this is that different “Celosias” can be added or replaced without affecting the rest of the system. This is reflected in its materiality and site possibilities: aluminum polished profiles with metallic paint makes these works function as installations, or unique pieces that can coexist both as exterior sculptures as well as architectural elements within an interior. Different proposals for configurations of “Celosias” explore environment, intimacy, and scale. The viewer reflection in the polished surface of the material also revealsthe surrounding atmosphere. The experience with Kronschlaeger’s “Celosias”and its various color configurations manifest through spontaneous architecture. The result is a consideration of the harmonious relationship between the built and natural environment.

Flavia Masetto, 2018.

 

ⓒ Pedro Yanez

Alois Kronschlaeger

Alois Kronschlaeger, b. 1966, Grieskirchen, Austria

Alois Kronschlaeger (b. 1966) Alois Kronschlaeger is internationally known for his site-specific installations and sculptures, which demonstrate a concern for environment and light, as well as his interest in exploring time, space and color through geometry. His work exists at the intersection between art and architecture; its forms are abstract and the materials simple in the tradition of artists such as Frederick Kiesler and Buckminster Fuller. His work has been exhibited at international institutions and festivals such as the Figge Art Museum (Iowa, 2018), the Bruce Museum of Art and Science (Connecticut), the Yuan Art Museum (Beijing), the Tucson Museum of Contemporary Art (Arizona), the of Contemporary Art (Lima, Peru), and the Festival of Islamic Arts (Sharjah, United Arab Emirates), among others. Since 2011, the artist has produced six public installations of his sculptures in the United States, and from 2015-2023 he has created two site-specific installations in Lima, Peru, two site-specific installations in Mexico City and one in Sarasota, Florida, and a solo exhibition titled: ORDER & DISORDER in CDMX; KIND OF BLUE in NYC and TIME, SPACE, COLOR at Roldan Moderno in Buenos Aires, Argentina. Kronschlaeger currently lives and works between Brooklyn, New York, and Mexico City, and is represented by Cristin Tierney Gallery (New York), Roldan Moderno (Buenos Aires), and Galería Le Laboratoire in CDMX.

https://www.AloisKronschlaeger.com
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MULTICOLORED CUBES