Creating Spire was a wild ride – from its initial concept to its construction. I am so proud to have completed my most ambitious project (though I have more in the works!).

His most ambitious project to date, Kronschlaeger’s site-specific work entitled, Spire, encompassed three floors of an abandoned commercial building in downtown Grand Rapids. This installation was curated by SiTE:LAB, a local nonprofit that coordinates temporary art projects, and sponsored by the University of Michigan School of Art & Design. Like most of Kronschlaeger’s work, Spire demonstrated a preoccupation with environment and light, exploring the ways in which new materials can revive and transform a space.

Community
Spire became a true community project employing four local residents over a six-week construction period. It reached 72 feet high, 32 feet wide and 32 feet deep with materials consisting of 1,000 12-foot wooden 2″ x 2″s, 10 rolls of 100 foot-long mesh, and 100 gallons of paint.

© Photo by Marc Lins

© Photo by Marc Lins

THE ZEBRA EFFECT

On this brightly lit day in Grand Rapids, the shadows cast contrasted greatly over the contours of the Third Elevation of Spire.

© Photo by Vince Dudzinski

INSTALLATION OF MESH BEGINS

My vision for Spire was to see how a temporary art installation could transform a space on a large scale. I asked myself, what would happen if a work outgrew the existing architecture? The result included new architectural vantage points, new reflections of light and a new relationship to the ground on each of the floors. As you’ll see in the photos below, my work allows for a new experience in this abandoned building.

© Photo by Marc Lins

Alois Kronschlaeger

Alois Kronschlaeger, b. 1966, Grieskirchen, Austria

Alois Kronschlaeger (b. 1966) Alois Kronschlaeger is internationally known for his site-specific installations and sculptures, which demonstrate a concern for environment and light, as well as his interest in exploring time, space and color through geometry. His work exists at the intersection between art and architecture; its forms are abstract and the materials simple in the tradition of artists such as Frederick Kiesler and Buckminster Fuller. His work has been exhibited at international institutions and festivals such as the Figge Art Museum (Iowa, 2018), the Bruce Museum of Art and Science (Connecticut), the Yuan Art Museum (Beijing), the Tucson Museum of Contemporary Art (Arizona), the of Contemporary Art (Lima, Peru), and the Festival of Islamic Arts (Sharjah, United Arab Emirates), among others. Since 2011, the artist has produced six public installations of his sculptures in the United States, and from 2015-2023 he has created two site-specific installations in Lima, Peru, two site-specific installations in Mexico City and one in Sarasota, Florida, and a solo exhibition titled: ORDER & DISORDER in CDMX; KIND OF BLUE in NYC and TIME, SPACE, COLOR at Roldan Moderno in Buenos Aires, Argentina. Kronschlaeger currently lives and works between Brooklyn, New York, and Mexico City, and is represented by Cristin Tierney Gallery (New York), Roldan Moderno (Buenos Aires), and Galería Le Laboratoire in CDMX.

https://www.AloisKronschlaeger.com
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