For my latest project, Habitat, in the Mammal Hall of the former Grand Rapids Public Museum, I created a site-specific installation, juxtaposing the existing landscapes of 27 habitat dioramas built in the mid-20th century with contemporary architectural intervention. By doing so, I explored what happens in an environment when overlaying a geometric abstraction onto representational yet "virtual" spaces. Mark Stryker of the Detroit Free Press wrote, “The New York artist magically transforms the natural history dioramas in a gallery through the imposition of architectural forms. In one, wooden grids hold deer captive. In another, visitors walk inside the environment via a bridge: present reality invading a mythologized past.”

alois-kronschlaeger-habitat-13.jpg

© Photo by Marc Lins

© Photo by Marc Lins

© Photo by Marc Lins

ELK DIORAMA COMING TOGETHER

With the help of my wife, Florencia Minniti and last year’s all-star volunteer, Bob Rogers, Paul Amenta, and Alex, the Elk diorama is coming together. It has taken four days and will be the biggest build of Habitat.

© Photo by Florencia Minniti

BUILDING OUT THE MOOSE DIORAMA

From elk to beavers to coyotes and now to moose! Here, I am building a platform that extends from the background of the diorama into the main hall space. Much like the science of the diorama, this piece plays on perspective and viewers will have the unique opportunity to walk into the diorama.

© Photo by Marc Lins

PRIOR CONDITION

When the Grand Rapids Public Museum was relocated from 54 Jefferson in 1994, they decided to take some of the taxidermied animals and leave some behind. In the following archival images (of which I took snapshots) you can see the original specimens in their respective dioramas.

In preparation of my installation of Habitat, I have gone through the archives of the Grand Rapids Public Museum at 54 Jefferson SE and found the original blueprints. Here, you can see the how the Mammal Hall was mapped out.

© Photo by Artist

ARTPRIZE AND GQ MAGAZINE

Last year, Matthew Power was in Grand Rapids to write a story on ArtPrize for GQ Magazine. He spent a few weeks with us at SiTE:LAB, getting to know the organizers and artists and saw our reactions as the Top 10 artworks by popular vote were revealed. The article, So You Think You Can Paint, is not yet available to read online, but you can download a pdf version of it here.

The article caused quite a stir in Grand Rapids over its scrutiny of the DeVos family and its critical view of ArtPrize. NBC’s Wood 8 reporter, Crystal Hilliard stopped by SiTE:LAB to follow up with us about our reactions to the GQ article. See what we have to say here plus see my work in progress!

2012-sep-gq-matthew-power-so-you-think-you-can-paint-low-res.jpg
Alois Kronschlaeger

Alois Kronschlaeger, b. 1966, Grieskirchen, Austria

Alois Kronschlaeger (b. 1966) Alois Kronschlaeger is internationally known for his site-specific installations and sculptures, which demonstrate a concern for environment and light, as well as his interest in exploring time, space and color through geometry. His work exists at the intersection between art and architecture; its forms are abstract and the materials simple in the tradition of artists such as Frederick Kiesler and Buckminster Fuller. His work has been exhibited at international institutions and festivals such as the Figge Art Museum (Iowa, 2018), the Bruce Museum of Art and Science (Connecticut), the Yuan Art Museum (Beijing), the Tucson Museum of Contemporary Art (Arizona), the of Contemporary Art (Lima, Peru), and the Festival of Islamic Arts (Sharjah, United Arab Emirates), among others. Since 2011, the artist has produced six public installations of his sculptures in the United States, and from 2015-2023 he has created two site-specific installations in Lima, Peru, two site-specific installations in Mexico City and one in Sarasota, Florida, and a solo exhibition titled: ORDER & DISORDER in CDMX; KIND OF BLUE in NYC and TIME, SPACE, COLOR at Roldan Moderno in Buenos Aires, Argentina. Kronschlaeger currently lives and works between Brooklyn, New York, and Mexico City, and is represented by Cristin Tierney Gallery (New York), Roldan Moderno (Buenos Aires), and Galería Le Laboratoire in CDMX.

https://www.AloisKronschlaeger.com
Previous
Previous

Spire

Next
Next

Untitled (Basin & Range)